PUBLICATIONS/REVIEWS

Rachel Gugelberger, “Bring in the reality” Catalogue, for No Longer empty exhibition at the Nathan Cummings Foundation, New York, 2015

E. Carmen Ramos, “Our America” Catalogue, for the "Our America" show at Smithsonian Museum of American Art, Washington, DC, 2013

Oluremi Onabanjo, “If you build it”, for the No Longer Empty show at Sugar Hill, New York, 2014

Carlos Acero, Arte Joven Dominicano, Book published by Fundacion AES Dominicana, 2009

Carlos Acero, Miradas Al Arte, Art Journal, 2006

Rocio Aranda-Alvarado, essay for “Visions/Visiones”, Highlights from the permanent collection, El Museo del Barrio, New York, 2006

Josefina Baez, essay for “Crossings” catalogue, 1991

Delia Blanco, El Siglo, Cultura section, February 2002

Delia Blanco, Revista Artes, “Manifesto”, Abril 2005

Maria Lluisa Borras, “A form of poetics”, essay for “Chosen Hearts” catalogue

Mabel Caballero, El Caribe, Encuentros, March 2001

Holland Cotter, New York Times, Art & Design section, Nov. 2005

Holland Cotter, “A new Latino essence”, New York Times, Art &Design section, Nov.28, 2003

Holland Cotter, Art in review, New York Times, “Fresh produce”, May 2000

Zaida Corniel, Diario Libre, January 2003

Deborah Cullen, essay for the “S files” catalogue, 2005

Wallace Edgecombe, essay for “One last sitting” catalogue, 2000

Jan Estep, essay for “Disorienting signs” catalogue, May 1999

Elvis Fuentes, essay for the “Merengue” catalogue, El Museo del Barrio, New York, 2005

Humberto Frias, essay for “Un pie aqui y otro alla”, 1994

Miki Garcia, essay for the “S Files” catalogue, 2005

Paula Gomez Jorge, essay for Miradas Al Arte, Art Journal, March 2006

Paula Gomez Jorge, essay for Centro de Arte EGO, “Centro Docente Ego”, June 2003

Paula Gomez Jorge, essay for “Orden del dia” catalogue, January 2003

Sara Hermann, essay for “The TEN” catalogue, December 2004

Sara Hermann, essay for “Orden del dia” catalogue, January 2003

Sara Hermann, essay “Intimate landscapes”, December 1996

Graciela Kartofel, essay for “Disorienting signs” catalogue, May 1999

Kim Levin, Village Voice, “How latin is it?, December 2003

Alexis Mendoza, Quisqueya LIFE, August 2001

Eneid Routte Gomez, essay for “One last sitting” catalogue, October 2000

Edward J. Sullivan, “Immutable fragility”, essay for “Chosen Hearts” catalogue, July 2001

MarIanne de Tolentino, El Listin Diario, Ventana, January 2001

Tanya Torres, Siempre Newspaper, “Dominican-Yorks sin cadenas”, September 2003 

Leonora Vega, essay for “SDQ-JFK- An heroic effort”, Oct. 1999

Maria Vega, El diario La prensa, Cultural section, October 2000

Maria Vega, El diario La prensa, Cultural section, November 2003

David Vinuales, El Listin Diario, October 1999

William Zimmer, Art in review, New York Times, Bronx edition, 1991

 

PRIVATE/PUBLIC COLLECTIONS:

Smithsonian American Art Museum, Washington, DC

El Museo del Barrio, New York

Eduardo Diaz, Washington, DC

Gilberto Cardenas & Dolores Garcia Carrillo, Notredame, Indiana

Joanna Flores, Washington, DC

District & Co., Santo Domingo, Dominican Republic

Museum of Modern Art, Santo Domingo, Dominican Republic

Altos de Chavon/The School of Design, La Romana, Dominican Republic;

Joan Guaita ART, Palma de Mallorca, Spain

Arthur Paxton, New Jersey

Pierre Restany, Spain

Mary Anthony Galleries Collection, New Hope, Pennsylvania;

Papo Colo and Jeanette Ingberman/Exit Art, New York

Fundación Centro de Arte Nouveau, Santo Domingo, Dominican Republic

Cariforo Institute, Santo Domingo, Dominican Republic

Colección de Arte del Palacio Nacional de la República Dominicana (National Palace Collection)

Centro Leon, Santiago, Dominican Republic

Mrs. Carmen Rita Pérez Pellerano, Dominican Republic

Ms. Leonora Vega, Santo Domingo, Dominican Republic, New York and Puerto Rico

Mr.& Mrs. Rafael Tulio Perez De León, Santo Domingo, Dominican Republic

Maria del Carmen Ossaye, Santo Domingo, Dominican Republic

Arq. Yuyu Sanchez, Santo Domingo, Dominican Republic